Editing is the second writing of a film. It decides the rhythm, what the audience knows and when they know it. The technical side — media management, proxies, the timeline — has to be so reliable that you never need to think about it.
Reading
Articles in preparation; the tables and terms are already in the department.
Colour starts at exposure and ends at the viewer’s display. In between are transfer functions, colour spaces and two different jobs: correction (making the shot look right) and grading (making it look intentional).
AI tools are used in video for everything from transcribing interviews to generating whole shots. We group them by what they do to the recording — analyse it, alter it, fill it in or create it — because that is what determines both the risk and the obligations.