VIDEONICS
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Delivery Deliver

The final step decides how the viewer sees the video. Codec, container, bitrate, colour tags and loudness all have to suit the destination — broadcast, cinema, YouTube and the archive each have different requirements.

  • codecs
  • containers
  • compression
  • bitrate
  • streaming
  • YouTube
  • cinema
  • broadcast

What this section answers

  • What is the difference between a codec and a container?
  • How much space does an hour of ProRes 422 HQ in 4K take up?
  • What bitrate for YouTube?
  • Which codec for editing and which for delivery?

Articles and tools

Quick reference

Quick reference: YouTube — recommended bitrates for SDR uploads
resolution24 / 25 / 30 fps48 / 50 / 60 fps
2160p (4K)35–45 Mb/s53–68 Mb/s
1440p16 Mb/s24 Mb/s
1080p8 Mb/s12 Mb/s
720p5 Mb/s7.5 Mb/s

According to YouTube Help: MP4 container, H.264 High Profile, 4:2:0, progressive scan, VBR; audio AAC-LC or Opus at 48 kHz.

Terms

Codec
An algorithm for compressing and decompressing picture or sound (H.264, ProRes, AV1…). More
Container wrapper
A file format that wraps video, audio, subtitles and metadata (MP4, MOV, MXF, MKV). A container is not a codec.
Bitrate data rate
The amount of data per second, typically in Mb/s. File size = bitrate × duration. More
GOP group of pictures
The group of frames between two key (I) frames. Long-GOP codecs store only the differences in between (P and B frames).
Intra-frame all-intra
Every frame is compressed on its own. Larger files, but easy decoding and precise editing on any frame.
CBR / VBR constant / variable bitrate
A constant bitrate keeps the same number of bits per second; a variable bitrate allocates them according to how demanding the picture is.
DCP Digital Cinema Package
A package of files for screening in a digital cinema according to the DCI specification. The picture is encoded in JPEG 2000.

In preparation

Topics we are working on. They are not published yet — we would rather have fewer pages, but verified ones.

  • Exporting for YouTube and social media step by step
  • Broadcast delivery: technical specifications and QC
  • DCPs for cinema: what they contain and who makes them
  • Archiving: master, mezzanine, checksums
  • Subtitles: formats and standards

Sources for the tables

Checked .